Thank you very much to all of our contributors, readers and supporters. It has been a slow year for Peeking Cat while the magazine has been on hiatus, and we’re likely to still be on a break until the end of the year. I do wish I could have offered all the live book launch excitement, interviews, readings and competitions we did last year – but as I am recovering from an operation and awaiting another one, I didn’t want to put myself under too much pressure this time around. Despite all this, I’m very happy that we have managed to get the anthology out – and in good time to make a great Christmas gift for any literary lovers in your life! I hope you enjoy the book, and I am very grateful for your patience while we have been responding to submissions and working on putting it all together. As always, it is a pleasure working with everyone and we do have a great community within the Peeking Cat family.
However you decide to read the anthology, please leave us a review wherever you can, and tell your friends! We look forward to accepting submissions for the next anthology, and hopefully the magazine, too, in the new year.
And here’s the author list for the anthology:
Abigail Elizabeth Ottley
Ananya S Guha
Carol Louise Moon
Carol Rosalind Smith
Ceinwen E Cariad Haydon
Chad W. Lutz
Eric Robert Nolan
Erren Geraud Kelly
Gregory E. Lucas
Ken Allan Dronsfield
Kim M. Russell
Kirsty A. Niven
Linda M. Crate
Maria A. Arana
Megan Denese Mealor
Michael Lee Johnson
Susan P. Blevins
Wayne F. Burke
I can remember writing short stories soon after I’d passed through the rite of literacy. As a bantling I’d thump out bits of fiction on an heirloom typewriter, or pen pages of scary stories or science fiction.
Yet, it was really when I was thirteen that I had that epiphany of the pen after I had chanced upon Clive Barker’s “The Great and Secret Show.” Barker’s prose was like nothing I’d encountered before; it was electrifying, sensual, and equally unsettling. After having been immersed in such an intimate union of words and Barker’s own fantasies, I knew this something I wanted, perhaps needed, to do. And so I’ve been working with words to create my own worlds since.
Hi all! This is to let you know that we are currently closed to submissions for both the magazine and the anthology until further notice. I will still be working through the submissions that have already been emailed to me, but I’m not sure when the next issue will be released. Apologies for the delay in getting back to some of you, and thank you for your patience.
This is a short note to let you know that due to editor illness, I will be changing the publication schedule for Peeking Cat Poetry Magazine.
Instead of publishing at the end of the month every month, as of now, we will be working on an as-and-when basis. This means I’m not sure when the next issue will be released, as it all depends on my capacity to work. We might continue to publish on a monthly basis, or it might be more sporadic than that.
Hopefully this is just a temporary measure, but as I’m sure you understand, life does unfortunately get in the way sometimes and priorities need to be changed around a little. Magazine subscriptions will be paused and subscribers will be refunded for the upcoming magazine. Anthology submissions will still be looked at but we might not hit the October deadline for publication. We will just have to see how things go – I’ll keep you all updated as and when things change. Thanks for your patience!
J.S.Watts is a British poet and novelist. Born in London, she now lives just outside of Cambridge. Her poetry, short stories and book reviews appear in publications in Britain, Canada, Australia, New Zealand and the States, including Acumen, Mslexia and Popshot (and, of course, Peeking Cat) and have been broadcast on BBC and Independent Radio. She has been Poetry Reviews Editor for Open Wide Magazine and Poetry Editor for Ethereal Tales. Read our interview with her below.
When and why did you first start writing?
I know it sounds a bit clichéd, but I’ve been writing for almost as long as I physically could. Originally it was because my teachers told me to, but I really enjoyed creative writing, though I don’t think we called it that back then. My earliest memory of being successful with my writing was at the beginning of junior school when one of my poems was entered by the school into a local poetry competition. It didn’t win first prize, but I think it came second. So writing has featured memorably in my life from quite an early age. According to my mother, I started writing even earlier. She claims, in the way that mothers do, to have a copy of my first ever poem written for a school assembly when I was four or five. I think she feels it has blackmail potential.
What do you enjoy writing, and what do you find yourself writing about most often?
I enjoy writing poetry and prose equally. My output includes poetry, short stories, novels, book reviews, blog posts and articles. If the topic interests me, I enjoy writing about it. The act of creating something out of words is extremely satisfying.
As to what I write about, I guess it’s basically the human condition. Superficially, my subject matter is very diverse, both in terms of genre and theme. My poetry collections cover a broad range of subjects. My first novel, A Darker Moon, is literary dark fiction based on an ancient myth. My second novel, Witchlight, is contemporary paranormal fantasy with a touch of romance. At various times my writing has encompassed horror, dark fiction, science fiction, fantasy and paranormal, literary fiction, non-fiction and poetry and includes subject matter as diverse as the sea, death, the craft of writing, myth and legend, robots, balloons, memory and soup. The underlying theme to all of it, I guess, is humanity, people, the human experience, what makes us tick.
What was favourite book as a child?
This is a surprisingly difficult question to answer. As a child, I was an avid reader and virtually lived at my local library. I fell in love with many, many books. Ones that have lodged themselves in my memory include (in no particular order, or reading age): The Moomin series by Tove Jansson, The Paddington Bear books by Michael Bond, The Orlando the Marmalade Cat series, anything by Doctor Seuss, The Sword at Sunset and The Hound of Ulster by Rosemary Sutcliffe, The Flicka series by Mary O’Hara, The Hobbit and The Lord of the Rings by J.R.R. Tolkien and a whole raft of books about myths, legends and fairy stories from around the world. Oh, and I really shouldn’t leave out the Chronicles of Narnia by C.S. Lewis and the Chalet School books by Elinor M Brent-Dyer. I could keep going for a lot, lot longer, but lists of books become boring after a while and these books are all so fabulous I wouldn’t want anyone to feel bored by them.
Who is most supportive of your writing?
I value the support of everyone who’s ever read or published one of my poems or stories or has bought any of my poetry collections or novels. You guys make it possible. Thank you.
My mother is a fan and I’ve several close friends who listen to my drafts, buy my books and turn up to poetry readings when they can. The cat is less supportive. He just expects to be fed and feature in my work at every opportunity. He tends to be disappointed on both counts.
What’s the weirdest thing you’ve done in the name of writing?
Mmmm, another difficult question. What’s weird? I have been told that being a poet is unmitigated weirdness in its own right.
I’ve performed my poetry in some really interesting places: castles, mansions, museums, art galleries, cellars and dungeons, as well as pubs, clubs and libraries. The location of Crosswords poetry night in Nottingham is pretty unusual. It’s in a cave underneath a pub that used to be a Victorian Music Hall. Certainly performing my poetry in a cave felt weird, but nice weird.
What do you find the most difficult or challenging about writing?
Like all writers, I hate receiving rejections of my work. I don’t think it ever gets any easier, but as rejections are an integral part of being a traditionally published writer you just have to take it on the chin and carry on.
Tell me about the piece of work that you are most proud of writing, or about the writing accomplishment you are most proud of.
In terms of individual pieces of work, that’s a bit like asking which of your children you love most. I don’t think I can do it, and even if I could, I really shouldn’t.
More generally, I’m proud of the fact that, to date, I’ve published six books (four of poetry and two novels). I’m proud that my work has won a few prizes here or there, or at least been mentioned in dispatches. I’m proud of the fact that my writing has both moved and entertained some people along the way.
What are your writing plans, goals or dreams for the future?
How long have you got? Currently, I’m waiting on a publication date (probably 2019, I’m guessing) for my third novel, Old Light (which is a sequel to my second novel, Witchlight). I’m in the middle of writing my fourth novel, Elderlight (which will conclude the Witchlight trilogy). I’m working on a new full collection of poetry. I’m writing individual short stories, poems and book reviews.
Looking forward, I hope to publish many more books. I’d like to perform in parts of the country I haven’t yet performed in (I’m open to invitations). I’d love to win a high profile, prestigious prize for a piece of my writing and I’d really love to write a moneymaking best seller (but the last two are definitely more dream than reality).
J.S.’s poetry collections, Cats and Other Myths and Years Ago You Coloured Me, are published by Lapwing Publications, as is her multi-award nominated poetry pamphlet, Songs of Steelyard Sue. Her latest poetry pamphlet, The Submerged Sea, is published by Dempsey & Windle. Her novels, A Darker Moon – dark literary fiction and Witchlight – a paranormal tale with a touch of romance, are published in the US and UK by Vagabondage Press.
It’s that time again – we are now accepting submissions for the Peeking Cat Anthology 2018!
We are accepting:
Flash fiction (up to 2,000 words)
Artwork and photography (please bear in mind that in the print copies of the book, these will be published in black and white only, but they will be in colour in the Kindle version.)
Send up to three poems and two stories in one email – either in the body of the email or as one attachment. There is no limit on how much artwork you can send. Please clearly indicate whether your submission is for the anthology or the magazine when emailing us. To find out more about the anthology, take a look at the 2017 edition.
You might have noticed we’ve had a bit of a facelift around here. I’ve moved the website from Blogger to WordPress, which means we have an exciting new addition to the website – a forum!
I tried to keep the website as similar to the old one as possible because we still need to have all the same pages and blog categories, and I also love our background image kitty with those striking blue eyes. So I hope it’s not too much of a change for everyone, but I am excited that we have our own dedicated place on the site where we can chat.
One of the best things about Peeking Cat is the community, and that has been particularly apparent in the past couple of months when we had our first ever online book launch. The forum is a place where everyone can talk about writing, get advice, share work in progress, and meet new writer friends. It’s also a place where you can find out the latest news from Peeking Cat and let me know what you would like to see on the website and in the magazine. Who are your favourite Peeking Cat poets? What do you think could be improved? And there’s a final area where we can chat about anything else that doesn’t fit in the other forums.
You need to create an account to start chatting in the forum, which only takes a minute and you can do that here. If you’re wondering what to do first, start by introducing yourself and saying hello to everyone else in the welcome forum. I hope to see as many of you as possible there!